beta su move on chord

Placeyour pinky and ring fingers on the 3rd fret of the high E and B strings, respectively. Your middle finger stretches over to the 2nd fret on the 4th string (A in standard tuning). - Middle finger: 2nd fret of the D (4th) string. - Ring finger: 3rd fret of the B (2nd) string. - Pinky finger: 3rd fret of the E (1st) string. Youre probably most familiar with sus chords mixed in around their major and minor brethren – think Queen’s Crazy Little Thing Called Love or Status Quo’s Whatever You Want. However, for a more left-field jazz fusion sound try staying on this sus4 shape without changing to major or minor. Its unsettled sound is great to jam over. G and Ab (G sharp and A flat major) are the same chord, but their names change depending on the key they are played in. Try in a chord progression. G# - C#m - A#m - D# / Ab - Dbm - Bbm - Eb. Chords that sounds good together with G#. The primary chords that sound good in a chord progression with G# is: A#m, Cm, C#, D# and Fm. Follow-up chords Thereare 5 basic rules to follow when writing a chord progression. Choose a key to write in (if you are just starting out the C major, G major, A minor and E minor are good keys to start with) Work out the primary chords (I, IV, V). Start to build your progressions with these. Then move on to using secondary chords (II, III, VI) to develop Welcometo the best Music Maker Tool! This website is dedicated specifically for musicians, who are willing to find some catchy and interesting chord progressions. Apart from generating chord progressions, this website can help you improve musical compositions and suggest you some sweet chord sequences to make music. Vay Tiền Nhanh Ggads. chord lagu jp ambon - move on Chord Lagu JP Ambon - Move On G Mangapa se datang par beta kombali Em C D Saat rasa ini su seng ada lai G Em C D Sio nona hati ini seng bisa kasi bale lai Em C D Tarima ale sama deng dolo lai G Dolo se bilang cinta cuma par beta Em C D Mangapa harus ada orang katiga G Em Biar janji mau barubah C D Beta su terlanjur luka Em C D Cukup jua nona biar beta yang rasa Reff... G C G Bilang cinta......memang beta cinta se C G D Tapi se yang biking cinta jadi luka G C G Pigi jua........pigi jua deng dia C D mar kalo mo bale lai sorry nona G Beta su Move On G Dolo se bilang cinta cuma par beta Em C D Mangapa harus ada orang katiga G Em Biar janji mau barubah C D Beta su terlanjur luka Em C D Cukup jua nona biar beta yang rasa Reff... G C G Bilang cinta......memang beta cinta se C G D Tapi se yang biking cinta jadi luka G C G Pigi jua........pigi jua deng dia C D mar kalo mo bale lai sorry nona G Beta su Move On Reff... G C G Bilang cinta......memang beta cinta se C G D Tapi se yang biking cinta jadi luka G C G Pigi jua........pigi jua deng dia C D mar kalo mo bale lai sorry nona Reff... G C G Bilang cinta......memang beta cinta se C G D Tapi se yang biking cinta jadi luka G C G Pigi jua........pigi jua deng dia C D mar kalo mo bale lai sorry nona G Beta su Move On Em Hu uu C G Beta su Move On

beta su move on chord